'Being and nothing-ness' will explore notions of being, and the gaps and voids created when being
fractures, from the aesthetic perspective of three emerging Korean diaspora artists.
Our world often breaks into dualisms, inside and outside, mind and body,
black and white, good and evil. These appear to offer a map pointing to
understanding but perception and reality can turn out to be yet another
dualism, in a hall of mirrors where nothing finds a finite definition.
Youngmi Kim, Kiwoun Shin and Seunghun Woo gamble with these uncertainties and mysteries
in their artworks.
Youngmi Kim’s work tests the limits of the dynamics and structures that a
canvas can hold. Having studied and exhibited in Korea and the USA, this
will be Youngmi Kim’s debut on the London art scene. With an impressive body
of work drawing on her primary source of inspiration - architecture -
Youngmi Kim aims to stimulate the eye and the brain with her three-dimensional voids of emptiness.
Kiwoun
Shin's contribution to ‘Being and nothing-ness’ is an exciting
multi-sensory video piece. Using echoes of Genesis -‘dust to dusk (for
dust thou art)’ - and of Buddhism
- 自古以來 (man comes with nothing
and also finishes his life with nothing, going back to the earth) as
principal motives for his work ‘Grind’. Kiwoun Shin’s video piece
explores the questions with which objects and their negative
counterpart, nothingness, confront the viewer.
Seunghyun
Woo plays with beauty and desire in the mixed-media sculptures she
presents at this collective show. Investigating the nature of right and
wrong through Buddhist theories, Seunghyun Woo has created an
unconscious and automatic way of working which she terms “marbling
is-ness”. Seunghyun Woo has recently completed her MFA at Slade School
of Art, and has studied and exhibited in both Korea and London.
JW
Stella is an independent curator and art consultant, and has managed
high-profile international contemporary art exhibitions since 2005,
such as Fantasy Studio, 2008 Liverpool Biennale (A Foundation,
Liverpool), Good Morning Mr. Nam June Paik (Korean Cultural Centre,
London 2008), Through the Looking Glass (Asia House, London 2006),
Seoul Until Now (Charlottenborg Exhibition Hall, Copenhagen, Denmark
2005). She is currently involved in an advisory capacity with a
cross-cultural engagement between the UK and Saudi Arabia; the project
rests on the premise that contemporary art is a major influence in
creating cultural, corporate and brand values.
This exhibition is kindly sponsored by Art Council Korea, Corona and media
sponsored by OpenVizor (www.openvizor.com ), KUBE Media (www.kubemedia.net )